What is vocal placement? Many of the older traditions of singing described how a singer must concentrate their sound. These singers often discussed the experience of this focused point of sound which could be perceived viscerally and locally in their bodies. As a singer advanced, they would eventually become capable of willing this sound into various […]
Read MoreDeveloping the Pharyngeal Voice the Old Way
- November 21, 2017
- Guy Babusek
- bel canto, Head Voice, Resonance, Singing Technique, Vocal Power, Vocal Registers
Developing the pharyngeal voice The sounds I am making in the attached recording will probably sound at once bizarre and comical to you. This is especially true if you’ve never heard an old-school advanced pharyngeal workout before. Developing the pharyngeal voice in a traditional manner is a process that takes many years. Please remember, that […]
Read MoreConcone: A Tradition of Beautiful Singing
- November 6, 2017
- Guy Babusek
- Application, bel canto, Legato, practicing singing, Singing Technique, Vocal Registers, Vocalises, voice training
Concone If you have ever studied classical singing, it is possible that you are familiar with the Concone books of solfeggi. The most famous of these books is Opus 9: Fifty Lessons. Giuseppe Concone was born in 1810 in the city of Turin. He had his musical education in his home town, where he continued […]
Read MoreThe Pharyngeal Voice
What is the pharyngeal voice? In order to begin to bridge the gap between the head and chest registers (often called the “mix”) the old Italian School used a device known as the Pharyngeal Voice. The old masters taught that this mechanism helps to engage only the very inner edges of the vocal folds. This middle Voice […]
Read MoreMoving Into The Head Voice
- October 7, 2015
- Guy Babusek
- Head Voice, practicing singing, Singing Technique, Vocal Registers
Moving Into The Head Voice Many singers have the idea that in order to sing high notes with power, that they must stay in their chest voice and keep pushing harder and harder in order to avoid breaking into falsetto. Unfortunately this type of singing is a common reason for vocal strain, and ultimately vocal […]
Read MoreHow To Sing Across Your Break Smoothly
- July 21, 2015
- Guy Babusek
- practicing singing, Singing Technique, Vocal Registers
How To Sing Across Your Break Smoothly There are many different reasons people have difficulty moving from the lower register (chest voice) into the upper register (head voice) smoothly; but primarily it is a matter of the muscular systems of each register being antagonistic, or at odds with one another. Try this experiment: starting in a […]
Read MoreBalancing The Registers In Your Voice
- May 24, 2015
- Guy Babusek
- Singing Technique, Vocal Registers
Balancing The Registers In Your Voice Most every singer has noticed that when they sing in a lower part of their range their vocal quality has a similarity to the way they speak; yet as they move to higher and higher pitches there is either the tendency to begin to yell and strain, or to suddenly flip […]
Read MoreStrengthening Your Vocal Mix
- April 5, 2015
- Guy Babusek
- Singing Technique, Vocal Registers
Strengthening Your Vocal Mix Something that needs to be addressed as soon as possible when beginning serious vocal training is the concept of vocal power. The majority of new students who come to me who have been singing in more aggressive styles of music will often seek training in order to mitigate the feelings of […]
Read MoreWhat Do I Do About The Break In My Voice?
- March 18, 2015
- Guy Babusek
- Singing Technique, VL Blog, Vocal Registers
What Do I Do About The Break In My Voice? Regardless of how much experience you have as a singer, chances are that you have at some point experienced a break in your voice when attempting to sing up a scale. You may have noticed that in this area of your voice, you either start […]
Read MoreIn Praise of Concone
- December 30, 2014
- Guy Babusek
- bel canto, Vocal Registers, Vocalises, voice training
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